Assemblage of wood pieces as an experience of power dialogue
| dc.contributor.author | Awuni, Samuel | |
| dc.date.accessioned | 2016-04-13T09:45:12Z | |
| dc.date.accessioned | 2023-04-20T10:15:03Z | |
| dc.date.available | 2016-04-13T09:45:12Z | |
| dc.date.available | 2023-04-20T10:15:03Z | |
| dc.date.issued | June, 2015 | |
| dc.description | A Project Report submitted to the Department of Painting and Sculpture, Kwame Nkrumah University of Science and Technology, In partial fulfillment of the requirement for the Degree of Master of Fine Art (Sculpture), | en_US |
| dc.description.abstract | The powerful presence and physicality of wood has changed over the period with contemporary art practices .Wood working methodologies have evolved leading to the expansion of it presumed boundaries. This shift and rethinking, the process, form and materiality generate a very interesting discourse. Assembling wood off cuts using joining as the methodology in favor of carving or other methods, creating a flexible sculptural form capable of taken various display experiences is explored. This display experiences is used in questioning the dialoged of power experiences in our society. That is studying the structure, practices, and conditions as we engage with it. | en_US |
| dc.description.sponsorship | KNUST | en_US |
| dc.identifier.uri | https://ir.knust.edu.gh/handle/123456789/8746 | |
| dc.language.iso | en | en_US |
| dc.title | Assemblage of wood pieces as an experience of power dialogue | en_US |
| dc.type | Thesis | en_US |