A combination of textile, Fasion and Sculpture for unconventional costume mounted on statue.

dc.contributor.author	Boateng, Kenneth Bright
dc.date.accessioned	2017-02-07T12:04:58Z
dc.date.accessioned	2023-04-19T00:03:52Z
dc.date.available	2017-02-07T12:04:58Z
dc.date.available	2023-04-19T00:03:52Z
dc.date.issued	March, 2012.
dc.description	A thesis submitted to the Department of Industrial Art,	en_US
dc.description.abstract	One very interesting tradition of life is dressing and the most discerning element of it is clothing. Clothing could be described as a covering designed to be worn on a person's body. By deduction, clothing could be described as the various articles such as apparel, accessories, headdress, and make up that are applied on the body for dressing. Its significance is so dire that the Article 25 of UN Universal Human Right Declaration Charter, (1948), has declared it to be among the basic necessities of life. Over the years, the huge demand for clothing worldwide has led to a sprawling industry that is highly competitive. So keen is the competition that nations like Ghana appear to have been engulfed by the major players exposing the state to the dictates of the market leaders. In the process, the local textile/clothing industry has virtually been grounded and the related challenges are too bare to ignore (Quartey, 2006).	en_US
dc.description.sponsorship	KNUST	en_US
dc.identifier.uri	https://ir.knust.edu.gh/handle/123456789/10529
dc.language.iso	en	en_US
dc.title	A combination of textile, Fasion and Sculpture for unconventional costume mounted on statue.	en_US
dc.type	Thesis	en_US

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