Theoretical foundation of the KNUST Painting programme: A philosophical Inquiry and its Contextual Relevance in Ghanaian Culture

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dc.contributor.authorSeidou, Kari Kacha
dc.date.accessioned2017-03-27T09:29:05Z
dc.date.accessioned2023-04-19T00:13:12Z
dc.date.available2017-03-27T09:29:05Z
dc.date.available2023-04-19T00:13:12Z
dc.date.issued2006-04-27
dc.descriptionA Thesis submitted to the Department of General Art Studies, Kwame Nkrumah University of Science and Technology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Faculty of Fine Art, College of Art and Social Sciences, April 2006.en_US
dc.description.abstractIn the few times the College of Art, Ghana has surfaced in any influential study, there has been a general silence over its intellectual legacy...en_US
dc.description.sponsorshipKNUSTen_US
dc.identifier.urihttps://ir.knust.edu.gh/handle/123456789/10750
dc.language.isoenen_US
dc.subjectPaintingen_US
dc.subjectGhanaian Cultureen_US
dc.titleTheoretical foundation of the KNUST Painting programme: A philosophical Inquiry and its Contextual Relevance in Ghanaian Cultureen_US
dc.typeThesisen_US
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