Combination of crochet and macramé techniques for the production of interior textile artefacts
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Date
JUNE, 2016
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Abstract
There are numerous fabric construction techniques that are employed in the production of 
textile products from yarn to  fabric  and among these techniques are crochet and macramé. 
Although both techniques are used for various articles and are sometimes combined with 
other  materials  such  as  fabrics,  beads  and  even  feathers,  observations  revealed  that  both 
techniques  can  be  combined  to  produce  artefact  which  would  bring  about  creativity  and 
variety  on  our  textile  market.  In  light  of  this,  the  study  identified  and  selected  suitable 
yarns, loops and knots that can be combined for decorative artefacts production. Literature 
on the various types of  loops and knots of both crochet  and macramé,  respectively were 
reviewed based on the conceptual and theoretical framework of the study. The studio based 
research  method  was  employed  for  the  project.  The  study  revealed  the  possibility  of 
combining  crochet and macramé techniques through sewing, lacing and tying.  Again, both 
are  user-friendly  techniques  that  lend  themselves  to  corrections  easily  because 
unsatisfactory  outcomes  can  be  easily  unravelled  or  even  crocheted  or  knotted  over.
Additionally,  pictorial  effects  and  patterns  can  be  crocheted  using  monochrome  or 
polychromatic  colour  schemes.  It  was  therefore  recommended  that  both  macramé  and 
crochet techniques should be  part of the fabric construction techniques found in the school 
curriculum to favour their  teaching, learning and application.  Also,  both techniques should 
be  taught  in  attractive  ways  to  arouse  students‟  interest  in  opting  for  these  art  forms  in 
project execution in schools.  Moreover, this study  would serve as a reference material for 
people who would want to create their own works and designs using both techniques.
Description
A thesis submitted to the Department of Industrial Art, Kwame Nkrumah University of Science and Technology in partial fulfilment of the requirements for the degree of Master of Fine Art in Textile Design, 2016